“Not a couple of hours,” said Ptitsin, looking at his watch. “What’s the good of daylight now? One can read all night in the open air without it,” said someone.
“What letters?” said the prince, alarmed.| “My goodness, what utter twaddle, and what may all this nonsense have signified, pray? If it had any meaning at all!” said Mrs. Epanchin, cuttingly, after having listened with great attention. |
“You’ll hate her afterwards for all your present love, and for all the torment you are suffering on her account now. What seems to me the most extraordinary thing is, that she can again consent to marry you, after all that has passed between you. When I heard the news yesterday, I could hardly bring myself to believe it. Why, she has run twice from you, from the very altar rails, as it were. She must have some presentiment of evil. What can she want with you now? Your money? Nonsense! Besides, I should think you must have made a fairly large hole in your fortune already. Surely it is not because she is so very anxious to find a husband? She could find many a one besides yourself. Anyone would be better than you, because you will murder her, and I feel sure she must know that but too well by now. Is it because you love her so passionately? Indeed, that may be it. I have heard that there are women who want just that kind of love... but still...” The prince paused, reflectively.
“In spite of Norma’s terror she looked furious, though she trembled in all her limbs. At length she slowly bared her terrible teeth, opened her great red jaws, hesitated--took courage, and seized the beast in her mouth. It seemed to try to dart out of her jaws twice, but Norma caught at it and half swallowed it as it was escaping. The shell cracked in her teeth; and the tail and legs stuck out of her mouth and shook about in a horrible manner. Suddenly Norma gave a piteous whine; the reptile had bitten her tongue. She opened her mouth wide with the pain, and I saw the beast lying across her tongue, and out of its body, which was almost bitten in two, came a hideous white-looking substance, oozing out into Norma’s mouth; it was of the consistency of a crushed black-beetle. Just then I awoke and the prince entered the room.”
“Just look, Lizabetha Prokofievna,” he began, with a kind of feverish haste; “these china cups are supposed to be extremely valuable. Lebedeff always keeps them locked up in his china-cupboard; they were part of his wife’s dowry. Yet he has brought them out tonight--in your honour, of course! He is so pleased--” He was about to add something else, but could not find the words.“You have!” cried Aglaya. “I might have guessed it. That’s a fitting crown to the rest of the story. If you have seen an execution, how can you say you lived happily all the while?”
“Ah! I thought perhaps Ferdishenko had taken it.”
Here Varvara joined them. “That is a thing I cannot undertake to explain,” replied the prince. Gania looked at him with angry contempt. “The necessity of eating and drinking, that is to say, solely the instinct of self-preservation...” “I don’t understand why people in my position do not oftener indulge in such ideas--if only for a joke! Perhaps they do! Who knows! There are plenty of merry souls among us! “That I only _pitied_ her--and--and loved her no longer!”Nastasia Philipovna was also much impressed, both with Gania’s action and with the prince’s reply.
“Never.”
“Let go of it!” said Parfen, seizing from the prince’s hand a knife which the latter had at that moment taken up from the table, where it lay beside the history. Parfen replaced it where it had been.
“You are slandering them, Lebedeff,” said he, smiling.“Thank God, I have got mother away, and put her to bed without another scene! Gania is worried--and ashamed--not without reason! What a spectacle! I have come to thank you once more, prince, and to ask you if you knew Nastasia Philipovna before?”
| He burst out laughing again, but it was the laughter of a madman. Lizabetha Prokofievna approached him anxiously and seized his arm. He stared at her for a moment, still laughing, but soon his face grew serious. |
V.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
So saying she gazed into his eyes, longing to see whether she could make any guess as to the explanation of his motive in coming to her house. The prince would very likely have made some reply to her kind words, but he was so dazzled by her appearance that he could not speak.
“Lizabetha Prokofievna is in a really fiendish temper today,” she added, as she went out, “but the most curious thing is that Aglaya has quarrelled with her whole family; not only with her father and mother, but with her sisters also. It is not a good sign.” She said all this quite casually, though it was extremely important in the eyes of the prince, and went off with her brother. Regarding the episode of “Pavlicheff’s son,” Gania had been absolutely silent, partly from a kind of false modesty, partly, perhaps, to “spare the prince’s feelings.” The latter, however, thanked him again for the trouble he had taken in the affair.“Not bad that, not bad at all!” put in Ferdishenko, “_se non è vero_--”
“Of railways?” put in Colia eagerly.| The prince blushed and broke off, without finishing what he meant to say. |
| “No, I’m not; I’m not a bit ashamed!” she murmured. “And how do you know my heart is innocent? And how dared you send me a love-letter that time?” |
| “Why, goodness me, don’t you know?” Varia stopped short. |
| “Why--is he here?” |
An ominous expression passed over Nastasia Philipovna’s face, of a sudden. It became obstinate-looking, hard, and full of hatred; but she did not take her eyes off her visitors for a moment.
All the Rogojin company were now collected in the drawing-room; some were drinking, some laughed and talked: all were in the highest and wildest spirits. Ferdishenko was doing his best to unite himself to them; the general and Totski again made an attempt to go. Gania, too stood hat in hand ready to go; but seemed to be unable to tear his eyes away from the scene before him.| No one had expected this. |
| “Yes; and I have another request to make, general. Have you ever been at Nastasia Philipovna’s?” |
“It is revolting and unseemly!” cried Hippolyte, jumping up in a fury.
| Keller, for instance, had run into the house three times of late, “just for a moment,” and each time with the air of desiring to offer his congratulations. Colia, too, in spite of his melancholy, had once or twice begun sentences in much the same strain of suggestion or insinuation. |
“Have I been acting rightly in allowing him to develop such vast resources of imagination?” the prince asked himself. But his answer was a fit of violent laughter which lasted ten whole minutes. He tried to reproach himself for the laughing fit, but eventually concluded that he needn’t do so, since in spite of it he was truly sorry for the old man. The same evening he received a strange letter, short but decided. The general informed him that they must part for ever; that he was grateful, but that even from him he could not accept “signs of sympathy which were humiliating to the dignity of a man already miserable enough.”
| “What on earth does all this mean? What’s he going to read?” muttered several voices. Others said nothing; but one and all sat down and watched with curiosity. They began to think something strange might really be about to happen. Vera stood and trembled behind her father’s chair, almost in tears with fright; Colia was nearly as much alarmed as she was. Lebedeff jumped up and put a couple of candles nearer to Hippolyte, so that he might see better. |
| “Yes--I nearly was,” whispered the prince, hanging his head. |
“The man-servant, while I was waiting to see the general.”
| “I wrote this yesterday, myself, just after I saw you, prince, and told you I would come down here. I wrote all day and all night, and finished it this morning early. Afterwards I had a dream.” |
| The prince was very nervous as he reached the outer door; but he did his best to encourage himself with the reflection that the worst thing that could happen to him would be that he would not be received, or, perhaps, received, then laughed at for coming. |
| IV. |
“How do you know it’s Nastasia Philipovna?” asked the general; “you surely don’t know her already, do you?”
| The guests exchanged glances; they were annoyed and bewildered by the episode; but it was clear enough that all this had been pre-arranged and expected by Nastasia Philipovna, and that there was no use in trying to stop her now--for she was little short of insane. |
“Of course, of course, quite so; that’s what I am driving at!” continued Evgenie, excitedly. “It is as clear as possible, and most comprehensible, that you, in your enthusiasm, should plunge headlong into the first chance that came of publicly airing your great idea that you, a prince, and a pure-living man, did not consider a woman disgraced if the sin were not her own, but that of a disgusting social libertine! Oh, heavens! it’s comprehensible enough, my dear prince, but that is not the question, unfortunately! The question is, was there any reality and truth in your feelings? Was it nature, or nothing but intellectual enthusiasm? What do you think yourself? We are told, of course, that a far worse woman was _forgiven_, but we don’t find that she was told that she had done well, or that she was worthy of honour and respect! Did not your common-sense show you what was the real state of the case, a few months later? The question is now, not whether she is an innocent woman (I do not insist one way or the other--I do not wish to); but can her whole career justify such intolerable pride, such insolent, rapacious egotism as she has shown? Forgive me, I am too violent, perhaps, but--”
The prince blushed and broke off, without finishing what he meant to say.| “Come along,” said Aglaya. “Prince, you must walk with me. May he, mother? This young cavalier, who won’t have me? You said you would _never_ have me, didn’t you, prince? No--no, not like that; _that’s_ not the way to give your arm. Don’t you know how to give your arm to a lady yet? There--so. Now, come along, you and I will lead the way. Would you like to lead the way with me alone, tête-à-tête?” |
In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”
| One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome--the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of “big-wigs,” and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary’s wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects. |
The actress was a kind-hearted woman, and highly impressionable. She was very angry now.
| “I--I thought it was half-past nine!” |
| The prince who, up to yesterday, would not have believed that he could even dream of such an impossible scene as this, stood and listened and looked on, and felt as though he had long foreseen it all. The most fantastic dream seemed suddenly to have been metamorphosed into the most vivid reality. |
“Good-bye!” she said at last, and rose and left him, very quickly.
“Yes, he was.”